Posts tagged ‘art’

If Westerners can't do yoga and Cinco de Mayo parties, can we have our polio vaccines back?

With news that even yoga classes are being cancelled due to fears of Westerners appropriating from other cultures, I am led to wonder -- why don't these prohibitions go both ways?  If as a white western male, I can't do yoga or host a Cinco de Mayo party or play the blues on the guitar, why does everyone else get to feed greedily from the trough of western culture?  If I can't wear a sombrero, why do other cultures get to wear Lakers jerseys, use calculus, or even have polio vaccines?  Heck, all this angst tends to occur at Universities, which are a quintessentially western cultural invention.  Isn't the very act of attending Harvard a cultural appropriation for non-Westerners?

I say this all tongue in cheek just to demonstrate how stupid this whole thing is.  Some of the greatest advances, both of science and culture, have occurred when cultures cross-pollinate.  I have read several auto-biographies of musicians and artists and  they all boil down to "I was exposed to this art/music from a different culture and it sent me off in a new direction."  The British rock and roll invasion resulted from American black blues music being dropped into England, mutating for a few years, and coming back as the Beatles and the Rolling Stones.

Or here is an even better example:  the movie"A fistful of Dollars".  That was an American western with what has become a quintessentially American actor, Clint Eastwood.  However, it was originally an Italian movie by Italian director Sergio Leone (it was not released in the US until 3 years after its Italian release).   But Sergio Leone borrowed wholesale for this movie from famed Japanese director Akiro Kurosawa's Yojimbo.  But Kurosawa himself often borrowed from American sources, fusing it with Japanese culture and history to produce many of his famous movies.  While there is some debate on this, Yojimbo appears to be based on Dashiell Hammett's Red Harvest, a classic of American noir fiction.

Hey, I Love Eating Alone in Public

There are few things I enjoy more when I am on the road alone or even at home with my family gone for some reason than going to a nice restaurant, sitting at the bar, and having a few drinks and dinner.  All by myself (OK, maybe with my Kindle too).

My favorite right now is the bar at Eddie V's steakhouse.

As a weird aside which I cannot explain, I am a pretty severe introvert who finds it almost impossible to make conversation with strangers at cocktail parties or at nearly any other venue.  This week my wife and I were walking up Canyon Road in Santa Fe looking at art galleries and I just plain stopped going in because I didn't want to deal with the way every gallery salesperson tends to immediately overwhelm one with small talk.  I worked long and hard to find a hair cutter and a dental hygenist that didn't insist on trying to have a conversation while they did their work on me.   But despite all this, I can comfortably meet and interact with people while sitting at bars.  Not sure why.

So Given My German Ancestry, Is Anything Beyond Wearing Lederhosen and Invading France Cultural Appropration?

I will say that this story honestly loses me.  

Just when you think we’ve reached Peak Sensitivity, the scolds of social justice sprinkle more sand into their underpants. The Museum of Fine Arts in Boston is currently showing a superb exhibition of the art of Hokusai. As per common practice at scholarly institutions, it is displaying related material, including an exhibition of contemporary Japanese photographers responding to the devastating earthquake that hit the northern part of the country in 2011. It also rehung La Japonaise, an 1876 canvas in its collection by Claude Monet, depicting his wife Camille in a vermillion kimono.

Among the educational programming at the MFA was “Kimono Wednesdays,” an opportunity for museumgoers to try on replica of that kimono in the presence of Monet’s canvas. It was slated for Wednesday evenings, when the museum’s entrance fee is by donation, starting June 24 and running throughout the month of July. But it didn’t make it that far.

Demonstrators showed up at the first two events bearing posters accusing the participants of grave wrongdoing. “Try on the kimono; learn what it’s like to be a racist imperialist today!” exclaimed one. “Let’s dress up Orientalism with more Orientalism,” read another. The protest had been arranged through a Facebook group named Stand Against Yellow-Face @ the MFA (the discussions have moved to a Tumblr), where the principals and their supporters expressed great umbrage. “A willingness to engage in thoughtful dialogue (or not) with museum employees and visitors on the bullshit of this white supremacist ‘costume’ event are welcome,” wrote one of the organizers.

Eventually the museum caved and even apologized.  I can understand the caving -- as the author suggested, it simply was not a hill the museum needed to die on -- but these apologies for non-crimes have got to stop.  Someone has to show some backbone in the face of these absurd pogroms.

When my family was visiting castles in England, they  often had clothes for the kids to play dress-up in medieval garb.  When my son and his friends were at Octoberfest, they bought lederhosen to wear when they attended.  When I took Spanish for years in grade school, we often did projects that emulated various Spanish cultures we were studying (such as the Mexican tradition of leaving out decorated shoes for candy and gifts).  Are these all wrong now?

I suppose if the museum had a "dress like a Kamikaze pilot" promotion or "pretend to be a comfort girl" exhibit, I could see the problem.  But trying on a kimono?  Kimono's have gone through several cycles of being fashionable in the West over the last 200 years or so (in the James Bond books, Ian Fleming often noted that Bond preferred a kimono for sleeping).

Seriously, we Americans have little in the way of home grown culture - haven't we appropriated about everything?  And so what?  The opposite of cultural appropriation in my mind is cultural apartheid.   Which in fact seems to be what some progressives are advocating for on campus, coming full-circle and apparently asking for separate but equal facilities for women and certain ethnic groups so they won't be tainted by white maleness, or whatever.

I Never Listen to Democrats; I Learned Everything I Need To Know About them From Rush Limbaugh

One of my huge pet peeves is when people rely only on their own side for knowledge of their opponents' positions.  The inevitable result of this is that there is a lot of debating against straw men.

As an aside, this is why I really like Bryan Caplan's ideological Turing test.  If you are going to seriously debate someone, you need to be able to state their arguments in an unironic way such that that person's supporters would mistake you for one of their own.  If I were to teach anything at all political, I would structure the course in a way that folks would debate and advocate both sides of a question (that is, of course, if any university would allow me to ask, say, a minimum wage advocate to take the opposite position without accusing me of creating an unsafe environment).

Anyway, a while back I asked if the folks who were protesting the showing of American Sniper on campus had actually seen the damn movie.  I suspected they had not, or at least really interpreted film differently than I do.  Though perhaps pro-soldier, I read the movie as having a pretty stark anti-war message.

Anyway, American Sniper has become a favorite target for banning within our great universities the purport to be teaching critical thinking.  This is from one student group's (successful) appeal for a ban on showing the movie on campus:

This war propaganda guised as art reveals a not-so-discreet Islamaphobic, violent, and racist nationalist ideology. A simple Google search will give you hundreds of articles that delve into how this film has fueled anti-Arab and anti-Islamic sentiments; its visceral "us verses them" narrative helps to proliferate the marginalization of multiple groups and communities - many of which exist here at UMD.

This is not the language people would use if they had actually seen the film.  Instead of taking specific examples from the film, they refer to Google searches of articles, perhaps by other people who have not seen the film (as an aside, this has to be the all-time worst appeal to authority ever -- I can find not hundreds but thousands of articles on the Internet about anything -- there are tens of thousands alone on the moon landings being faked).

Why Large Corporations Often Secretly Embrace Regulation

I wrote the other day about how Kevin Drum was confused at why broadband stocks might be rising in the wake of news that the government would regulate broadband companies as utilities.  I argued the reason was likely because investors know that such regulation blocks most innovation-based competition and tends to guarantee companies a minimum profit -- nothing to sneeze at in the Internet world where previous giants like AOL, Earthlink, and Mindspring are mostly toast.

James Taranto pointed today to an interesting Richard Eptstein quote along the same lines (though he was referring to hospitals under Obamacare):

Traditional public utility regulation applies to such services as gas, electric and water, which were supplied by natural monopolists. Left unregulated, they could charge excessive or discriminatory prices. The constitutional art of rate regulation sought to keep monopolists at competitive rates of return.

To control against the risk of confiscatory rates, the Supreme Court also required the state regulator to allow each firm to obtain a market rate of return on its invested capital, taking into account the inherent riskiness of the venture.

Avoiding McDonald's

Watching the Superbowl, and seeing the McDonald's commercial where the company announced a policy that they will ask their customers to do various kinds of performance art rather than pay, I said to my kids, "well, I guess I am avoiding McDonald's for a while."  Not only do I not want to sing a song to avoid paying my $5 bill, I probably would pay them $50 to shut up and just give me my damn food.

My kids acted like I was being a curmudgeon, but apparently I am not alone:

Early on Monday morning I paid a visit to the Golden Arches while traveling through Union Station in Washington, D.C. After a moment’s wait I placed my order with an enthusiastic cashier, and started to pay.

Suddenly the woman began clapping and cheering, and the restaurant crew quickly gathered around her and joined in. This can’t be good, I thought, half expecting someone to put a birthday sombrero on my head. The cashier announced with glee, “You get to pay with lovin ’!” Confused, I again started to try to pay. But no.

I wouldn’t need money today, she explained, as I had been randomly chosen for the store’s “Pay with Lovin’ ” campaign, the company’s latest public-relations blitz, announced Sunday with a mushy Super Bowl TV commercial featuring customers who say “I love you” to someone, or perform other feel-good stunts, and are rewarded with free food. Between Feb. 2 and Valentine’s Day, the company says, participating McDonald’s locations will give away 100 meals to unsuspecting patrons in an effort to spread “the lovin’.”

If the “Pay with Lovin’ ” scenario looks touching on television, it is less so in real life. A crew member produced a heart-shaped pencil box stuffed with slips of paper, and instructed me to pick one. My fellow customers seemed to look on with pity as I drew my fate: “Ask someone to dance.” I stood there for a mortified second or two, and then the cashier mercifully suggested that we all dance together. Not wanting to be a spoilsport, I forced a smile and “raised the roof” a couple of times, as employees tried to lure cringing customers into forming some kind of conga line, asking them when they’d last been asked to dance.

The public embarrassment ended soon enough, and I slunk away with my free breakfast, thinking: Now there’s an idea that never should have left the conference room.

It didn't look touching on TV, it looked awful.  I had already decided to avoid McDonald's for the time being based on the commercial but my thanks to the author for confirming it.

The Great Class of 1984

One of the great joys of being in Princeton's class of 1984 is having master cartoonist (and libertarian, though I don't know what he would call himself) Henry Payne in our class.  For the last 30 years, Henry has made a custom birthday card for the class, which are mailed to each of us on the appropriate day.  This is mine from 2014

click to enlarge

I started saving these a while back but I wish I had saved all 30.  I also have a caricature of me drawn in college by Henry, but it does not get a prized place on our wall at home because it includes my college girlfriend as well, which substantially reduces its value as perceived by my wife.  (In speaker-building there is a common term of art called "wife acceptance factor" or WAF.  Pictures of ex-girlfriends have low WAF).

Here is an example of some of Henry's great political work:


College Tours Summarized in One Sentence

The WSJ has an editorial on college tours, wherein they talk about the sameness (and lameness) of most college tours.

Most colleges offer both an information session and a tour.  We always found the tour, given by students, more useful than information sessions given by the admission department.  I came to hate the information sessions in large part because the Q&A seems to be dominated by type A helicopter parents worried that Johnny won't get into Yale because he forgot to turn in an art project in 3rd grade.

My kids and I developed a joke a couple of years ago about information sessions, in which we summarize them in one sentence.  So here it is:

"We are unique in the exact same ways that every other college you visit says they are unique."

Examples:  We are unique because we have a sustainability program, because we have small class sizes, because our dining plans are flexible, because we don't just look at SAT scores in admissions, because our students participate in research, because our Juniors go abroad, etc. etc.

There you go.  You can now skip the information session and go right to the tour.  Actually, there is a (very) short checklist of real differences.  The ones I can remember off hand are:

  • Does the school have required courses / distribution requirements or not
  • Is admissions need blind or not
  • Is financial aid in the form of grants or loans
  • Do they require standardized tests or not, and which ones
  • If they do, do they superscore or not
  • Do they use the common app, and if so do they require a supplement
  • Do they require an interview or not

My advice for tour givers (and I can speak from some experience having gone on about 20 and having actually conducted them at my college) is to include a lot of anecdotes that give the school some character.   I particularly remember the Wesleyan story about Joss Whedon's old dorm looking out over a small cemetery and the role this may have played in the development of Buffy the Vampire Slayer.

The biggest fail on most tours is many don't show a typical dorm room, the #1 thing the vast majority of prospective admits want to see.

The Right To Not Be Offended

I already wrote about the Wellesley art kerfuffle, but I liked this quote form Lenore Skenazy

Once we equate making people feel bad with actually attacking them, free expression is basically obsolete, since anything a person does, makes or says could be interpreted as abuse.

Beyond the general amazing sight of feminists acting like Victorian women with the vapors rather than strong, confident human beings, I am still amazed at this interpretation of the art as somehow representing a male threat.  Perhaps this is one area where the campus is poorer for the lack of male voices.  I can't imagine there are many men who see this statue as anything other than a representation of fear and vulnerability and helplessness.  Seriously, does anyone consider sleepwalking at school in your tighty whities as anything but  a bad dream?  If you had showed me this statue before all the brouhaha and asked me if it was more threatening to men or women, I would have answered "men" without a second thought.

Notes from the Cloister

I have read the petitions, and I still cannot understand why so many of the (all female) students of Wellesley College are having a major freak-out about this piece of sculpture.  This is from a student petition to have it removed:

On contrary, this highly lifelike sculpture has, within just a few hours of its outdoor installation, become a source of apprehension, fear, and triggering thoughts regarding sexual assault for many members of our campus community. While it may appear humorous, or thought-provoking to some, it has already become a source of undue stress for many Wellesley College students, the majority of whom live, study, and work in this space.

Seriously?  It's a freaking sculpture.  I had thought that the whole point of women's colleges was to focus on creating strong, empowered women.  My wife always felt that way about Vassar (where the culture of educating strong women apparently existed even after it went coed).  But this story tells me that women's colleges have become cloisters to protect hothouse flowers whose fragile sensibilities can't handle a piece of art that is not particularly racy or outré (in the context of today's standards).   This is taking the fake campus right to not be offended and turning it into a pathology.   If you think I am exaggerating, go to the linked article and read the students and alums quoted.

To me, this art tells a story of a man's vulnerability and helplessness.   I would have thought the feminists would have loved it.

Did Anyone See the Movie Interstate 60? Because This Story Reminds Me of That Movie

No, it's never going to win an award for art direction or acting, but one of my favorite movies is Interstate 60.  In part because almost no one has heard of it and it is fun to be part of the cult in a cult classic.  But at its heart it is really a pretty good movie on the various meanings of freedom -- or more accurately, on the varous ways in which people can enslave themselves.

The movie is essentially a series of vignettes -- short little stories -- connected by a guy on the road on a quest.  One of those involved Kurt Russell as the sheriff in a small town.  For those who saw the movie (and if you have not, go find it on Netflix), doesn't this remind you a lot of the Kurt Russell town Banton?

At nine o'clock in the morning in a garden shed behind a house in Amsterdam, a handful of alcoholics are getting ready to clean the surrounding streets, beer and cigarette in hand.

For a day's work, the men receive 10 euros (around $13), a half-packet of rolling tobacco and, most importantly, five cans of beer: two to start the day, two at lunch and one for after work.

Verbal Gymnastics and the Enrollment Report

I did not want this to get lost -- in an Enrollment report that used the word "enroll" or some variant 229 times, the one thing the report was missing was the actual number of people who had enrolled.  On the Medicaid side, the report said how many had been found eligible but not how many had enrolled.  On the private side, the best we get is this, which is just a classic of the political art:

106,185 (10 percent) of the 1,081,592 total Marketplace plan eligible persons have already selected a plan by clicking a button on the website page.

The obvious language would have been "106,185 enrolled in a plan" or "bought a plan."  But it does not say this, despite the fact that the Obama Administration certainly has the relevant number.  What this means is that 106,185 people ... OK, a quick aside.  It is not actually 106,185 people being successful on the web.  This is the number of people who would be covered in plans "clicked on" by visitors.  The total number of clicks is well under this -- likely something like 60,000, if the ration of 1.78 persons per application holds from the other numbers in the report.  So this is the number of people covered in something like 60,000 plans that visitors did the equivalent of putting in the online shopping cart but may not yet have paid for.

Well, maybe the number paid is really close to 106,185.  Hah!  I can disprove that quite simply:  We were not told the number.  QED it sucks.

Lessons That Are No Help

You know how someone does an amazing trick, and then they show you how, and you say, "Oh, I see, that was easy once you know the trick."  Well, that is not the case with this art, at least for me.  

One problem with art books is they will have some exercise to draw a face, and step one will be an oval and step two will be a few more ovals, and I am following along well, and then step three the whole face is suddenly drawn in where the ovals were.   Art books all do this and it drives me crazy.    Well, at least the guy in the linked video shows every single little step.  And it still seems a miracle that the picture emerges.


If I Were a Billionaire: Coyote College

My daughter and I did the whole college visit thing last week -- 8 colleges in five days.  In doing so, I was struck by the fact that all these great schools we visited, with one exception, were founded by rich people no more recently than the 19th century.  Seriously, can you name a college top students are trying to get into that was founded since 1900?  I think Rice University in Houston was founded in the 20th century but it is still over 100 years old.

The one exception, by the way, was SCAD, an art school in Savannah, Georgia.  SCAD is new enough that it is still being run by its founder.  I am not sure I am totally comfortable in the value proposition of an expensive art school, but I will say that this was -- by far -- the most dynamic school we visited.

So here is what I would do:  Create a new not-for-profit university aimed at competing at the top levels, e.g. with the Ivy League.  I would find a nice bit of land for it in a good climate, avoiding big cities.  The Big Island of Hawaii would be a nice spot, though that may be too remote.   Scottsdale would not be a bad choice since its bad weather is during the summer out of the normal school year and land is relatively cheap.

Then, I would take the top academic kids, period.  No special breaks for athletes or tuba players.  It would have some reasonable school non-academic programs just to remain competitive for students - maybe some intramurals or club sports, but certainly no focus on powerhouse athletics.  We could set a pool of money aside to help fund clubs and let students drive and run most of the extra-curriculars, from singing groups to debate clubs.  If students are passionate enough to form and lead these activities, they would happen.

And now I need a reader promise here - if you are going to read the next sentence, you have to read the whole rest of the article before flying into any tizzies.

And for the most part we would scrap affirmative action and diversity goals.  We are going to take the best students.  This does not mean its pure SAT's - one can certainly look at a transcript and SAT in the context of the school kids went to, so that smart kids are not punished for going to a crap public high school.

Realize I say this with the expectation that the largest group of students who will be getting affirmative action over the next 20 years are... white males.

What?  How can this be?  Well it is already nearly true.  Sure, historically everyone has focused on reverse discrimination against white males when colleges were dealing with having twice as many men than women and they had few qualified black or hispanic candidates.  But my sense is that few white males any more lose their spot in college due to competition from under-qualified minority candidates.

That is because there is an enormous demographic shift going on in college.  In fact there are three:

  1. Girls rule high school and higher education.  Yes, I know that women steeped in "Failing at Fairness" will find this hard to believe, but undergraduates are something like 56% women nowadays.  As we toured Ivy League schools, we were on tours with about 6 prospective female students for every one guy.  Back when my son played high school basketball, on the walls of various high schools he played at were pictures of their honor societies.  Time and again I saw pictures of 20 girls and one or two forlorn boys.  If top schools want to keep their gender numbers even, then they are going to have to start affirmative action for boys, if they have not done so already (I suspect they have).
  2. Asians are being actively discriminated against.  Schools will never ever admit it, because they are getting sued by Asian prospective students (I know Princeton has been sued) but reverse discrimination against Asian students is becoming more and more intense.  The bar for Asia females already is way higher than the bar for white males in top schools, and it likely will only get worse
  3. Foreign students bring in the cash.  Ivy League schools have a ton of international students, which makes sense as they strive to be international institutions.  But one thing they will not tell you is that there is another reason for bringing in foreign students:  For most schools, their need-blind admissions policies and increasingly generous financial aid packages do not apply to foreign students, or apply on a much more limited basis.  The average tuition paid by international students is thus much higher.  I suspect, but cannot prove, that under the cover of diversity these schools are lowering their standards to bring in students who bring the cash.

So we scrap all this.  If the school ends up 80% Asian women, fine.  Every forum in one's life does not have to have perfect diversity (whatever the hell that is), and besides there are plenty of other market choices for students who are seeking different racial and ethnic mixes in their college experience.   We just want the best.  And whatever money we can raise, we make sure  a lot of it goes to financial aid rather than prettier buildings (have you seen what they are building at colleges these days?) so we can make sure the best can afford to attend.  Getting good faculty might be the challenge at first, but tenure tracks have dried up so many places that my gut feel is that there are plenty of great folks out there who can't get tenure where they are and would jump at a chance to move.  You won't have Paul Krugman or Bill McKibben type names at first, but is that so bad?

We know the business community hires from Ivy League schools in part because they can essentially outsource their applicant screening to the University admissions office.  So we will go them one better and really sell this.   Hire any of our graduates and you know you are getting someone hard-working and focused and very smart.

I don't know if it would work, but hell, I am a billionaire, what's the risk in trying?

Me & Eliot

In a hard-hitting, incredibly researched piece of journalism entitled "Me & Ted", Josh Marshall polled his progressive friends at Princeton and found that they all thought Ted Cruz was an asshole.

Well, it turns out Ted and I went to college together. And not just we happened to be at the same place at the same time. We were both at a pretty small part of a relatively small university. We both went to Princeton. I was one year ahead of him. But we were both in the same residential college, which basically meant a small cluster of dorms of freshmen and sophomores numbering four or five hundred students who all ate in the same dining hall.

As it turned out, though, almost everyone I knew well in college remembered him really well. Vividly. And I knew a number of his friends. But for whatever reason I just didn't remember him. When I saw college pictures of him, I thought okay, yeah, I remember that guy but sort of in the way where you're not 100% sure you're not manufacturing the recollection.

I was curious. Was this just my wife who tends to be a get-along and go-along kind of person? So I started getting in touch with a lot of old friends and asking whether they remembered Ted. It was an experience really unlike I've ever had. Everybody I talked to - men and women, cool kids and nerds, conservative and liberal - started the conversation pretty much the same.

"Ted? Oh yeah, immense a*#hole." Sometimes "total raging a#%hole." Sometimes other variations on the theme. But you get the idea. Very common reaction.

Wow, so this is what famous journalists do?  Hey, I can do the same thing.

I went to Princeton with Eliot Spitzer.  He was a couple of years ahead of me but had a really high profile on campus, in part due to his running for various University Student Government offices.  So I checked with many of my friends back in college, and you know what?  They all thought Spitzer was an asshole.  I was reminded that we all disliked him so much that when one person (full disclosure, it was me) drunkenly asked who wanted to go moon Spitzer and the governing council meeting next door, we got 30 volunteers.  He was so irritating that he actually inspired a successful opposition party cum performance art troupe called the Antarctic Liberation Front (Virginia Postrel also wrote about it here).

Wow, am I a big time journalist now?  Will GQ be calling for me to do an article on Spitzer?

Look, this is going to be true for lots of politicians, because they share a number of qualities.  They tend to have huge egos, which eventually manifest as a desire to tell us what to do because they know better than we do.  They are willful, meaning they can work obsessively to get their own way even over trivial stuff.  And they are charismatic, meaning they generally have a group of people who adore them and whose sycophancy pisses everyone else off.  In other words, they are all assholes.

Photoshop Practice

I am working on a couple of euro-style strategy card games at the moment.  The first is a business start-up game, and the second is a space-themed game loosely based on my experiences playing the Traveler role-playing game years ago.   A good stock image account (I use Shutterstock) gets me everything in terms of card images I need for the first game, but royalty-free space images are harder.  However, it is actually possible to start with prosaic industrial and other images and hack them to look futuristic, but it takes some work.

So I have been working on Photoshop skills.  If I could digitally paint, I would paint beautiful concept art, but I cannot.  So my Photoshop training has focused not on painting per se but on hacking images together and overlaying effects.   A LOT of the work is learning to do selections well to mash up images and then overlaying a few effects.   I can make a really good laser beam now, for example.  Take a modern weapon, have a laser beam come out, wala a pretty functional sci fi gun  (Don't believe me?  Look at the Death Star Turrets in the original Star Wars movie and tell me those aren't essentially current-era battleship turrets with green and red light coming out).  I wrote earlier about the lessons I followed in making custom planets.

As an example, here is the lesson I did last night.  It is not production value because it started with a low-res iPhone photo my daughter sent me and as you can tell from the edges and especially the hair, I did not spend much effort getting the edge selection just right.  But my daughter liked being a cyborg:

Click to enlarge


She has dark brown hair and dark brown eyes, so she is not the ideal model for this because those are hard to colorize well.  Blondes may or may not have more fun, but they are much easier to colorize.  The downsize of the exercise is that she loved the hair and now wants to color it that way for real.

A Short Rant on Over-Saturated Photography

I was at a couple of art shows during my vacation, and saw a lot of photography.  A staple of photography are the shots of Italian allies and colorful sea villages.  I have one on my wall that I shot myself, the classic view you have seen a million times of Vernazza, Italy.  My wife observed that these photos at the shows looked different than mine (she said "better").

The reason was quickly apparent, and I am seeing this more and more in the Photoshop world -- all the artists have pumped the color saturation way up.  I had to do this a bit, because the colors desaturate some when they get printed on canvas.  But these canvases friggin glowed.  I see the same thing in nature photography.  Is this an improvement?  I don't know, but I am a bit skeptical.  It reminds me a lot of how TV's are sold.  TV pictures tend to be skewed to over-bright and over-vivid colors because those look better under the fluorescent lights of the sales floor.  TV's also tend to have their colors tuned to the very cool (blue) color temperatures for the same reason.  None of this looks good in a darkened room watching a film-based movie.  Fortunately, modern TV's have better electronics menus and it is easy to reverse these problems, and my guess is there is less of this anyway now that many TV's are sold online based on reviews rather than comparison shopping in a store.

I am left to wonder though how this new super-vivid, over saturated photography would look in a home, and how it wears with years of viewing.  Am I being a dinosaur resisting a technological improvement or is there a real problem here?

Software Patent Horror

Ever since Amazon managed to patent one-click ordering, I have been skeptical of software patents.  When I was in the Internet field, I saw companies patent some, uh, patently obvious stuff, roughly akin to patenting an on/off switch.  Or even worse, multiple companies would get patents for the equivalent of an on/off switch, with this company claiming it has the patent for on-off switches for lighting, and this one for appliances, and this one for all electrical devices, and then all three end up sitting in court for about 10 years arguing about who has the patent for turning on the bulb in your refrigerator.

Kevin Drum brings us an amazing horror story of a patent that apparently I owe licensing fees for -- and probably you do too.

Vicinanza soon got in touch with the attorney representing Project Paperless: Steven Hill, a partner at Hill, Kertscher & Wharton, an Atlanta law firm.

"[Hill] was very cordial and very nice," he told Ars. "He said, if you hook up a scanner and e-mail a PDF document—we have a patent that covers that as a process."

It didn’t seem credible that Hill was demanding money for just using basic office equipment exactly the way it was intended to be used. So Vicinanza clarified:

"So you're claiming anyone on a network with a scanner owes you a license?" asked Vicinanza. "He said, 'Yes, that's correct.' And at that point, I just lost it."

Drum has a good discussion, including some prior art with which he actually participated.

House Democrats Undermine Entire Justification for Government Oversight of Commerce

As I understand it, the justifications for strong and detailed government oversight of commerce rests on two ideas:

  • That government officials somehow have better incentives than private actors and are more likely to act in the interests of the general public
  • That a few carefully selected smart people standing on top of the system managing top down can impose better structural solutions for markets than will emerge organically.

Readers will know in advance that I think both of these statements are total crap, but I don't need to explain the reasons yet again because Democrats in the House of Representatives just created the most clear refutation possible by making Maxine Waters the ranking Democrat on the House Financial Services committee (which has oversight for the most regulated industry in this country).

Ms. Waters fails both these tests.  She has a history of putting her own financial interests ahead of her oversight mission, and as far as the smart person standing at the top model, she has time and again demonstrated her complete lack of understanding of the very industry she regulates (well, either that or her entire career in Congress has actually been an elaborate bit of Dada-ist performance art).

Part of The Hole Germans Are Being Asked to Fill In

Greek Olympic venues.  I am sure that baseball field gets a lot of use.  And that state-of-the-art man-made kayaking course and associated stadium sure seem to be contributing a lot to GDP.

The whole world patted Greece on the back for completing this boondoggle when in fact we were just enabling an alcoholic, congratulating Greece for, in effect, driving home safely after drinking a fifth of tequila.


A Great Day in Manhattan for $20

I had a great day on Friday in Manhattan for the price of a $20 subway pass.  I did a lot of wandering around and people-watching, but here are three great free activities:

1.  Central Park.  Probably the greatest urban park in the world.  It is gorgeous, and everyone overlooks it.  If you have never strolled the Ramble, you will not believe you are in the middle of Manhattan.

2.  Walk the high-line park.  Another fabulous piece of landscape architecture, an old elevated rail line running north from about 14th street (just a bit south of the Chelsea Market) along the West Side that has been turned into a park and an amazing escape.  You can stroll the waterfront and urban New York without encountering a single car.  It is also incredibly quiet.  And train-lovers will appreciate that the architects kept a lot of the complex track-work as part of the landscape, almost like industrial art.

3.  Walk the Brooklyn Bridge.   I don't know that there is any similar experience anywhere else.  Something New Yorkers and tourists have enjoyed for over a hundred years.

I couldn't stay until magic hour but the view was still tremendous.

In the evening, I did whip out the wallet again and took my daughter to Ellen's Stardust Diner, near 51st and Broadway.  Total tourist trap.  Terrible food.  But an absolute blast every time.  All the waiters are out-of-work Broadway singers and they take turns singing show tunes for the restaurant as they serve.  We have walked out smiling and feeling good every time we have gone.


Sidetracked for a Day: Making Planets

I guess I am easily distracted by geeky stuff.  Yesterday I needed a fake / fantasy planet for a piece of art I am working on.  So I thought I would just go find something open-source-ish someone else has done.  That would have been the obvious 60-second solution.

But then I saw this site, which apparently is one for enthusiasts of - you guessed it - making planet and space art.  So I thought I would play around with it.  About 6 hours on the computer later, I have a planet and a lot of tools to make more, and actually had a surprising amount of fun doing it.  First, the planet, click to enlarge:

The image you get when you click on it is only about a quarter of the full resolution of 5000x5000 of the original.

This is all done in Photoshop, faking the 3D and lighting effects, though there are tutorials and that same site discussing how to do this even better using 3D rendering.  To make this, I started with a planet map using this tutorial.  The land image I used as a texture seed is here.  The final map looks like this (again I had to cut the resolution by 75% from the original 8000x4000).

The above was a bit dark so I ended up stacking two on top of each other with the top set to blend mode "screen" and this really made it pop.  The cloud map I used a portion of is apparently a favorite among planet illustrators -- you can find it here.  Again, here it is but reduced in size:

From these last two we select a large circle (of the same size from each) and spherize them in Photoshop.

Here it is before the atmosphere and shadow effects, which are layered on and can be adjusted after the fact

Then, follow the second half of this tutorial when he talks about atmosphere and shadows to get the final result.

And the shadow can go the other way as well:

If anyone is really interested, I can send you the photoshop file with all the layers so you can see how it works.  Update:  The files are huge, about 500MB each, in part because I leave copies of all the resources I use in hidden layers.  But here they are, one for the flat map and one for the planet: test.psd  and here:

Climate and Post-Modern Science

I have written before of my believe that climate has become the first post-modern science.  This time, I will yield the floor to Garth Paltridge to make the same point:

But the real worry with climate research is that it is on the very edge of what is called postmodern science. This is a counterpart of the relativist world of postmodern art and design. It is a much more dangerous beast, whose results are valid only in the context of society’s beliefs and where the very existence of scientific truth can be denied. Postmodern science envisages a sort of political nirvana in which scientific theory and results can be consciously and legitimately manipulated to suit either the dictates of political correctness or the policies of the government of the day.

There is little doubt that some players in the climate game – not a lot, but enough to have severely damaged the reputation of climate scientists in general – have stepped across the boundary into postmodern science. The Climategate scandal of 2009, wherein thousands of emails were leaked from the Climate Research Unit of the University of East Anglia in England, showed that certain senior members of the research community were, and presumably still are, quite capable of deliberately selecting data in order to overstate the evidence for dangerous climate change. The emails showed as well that these senior members were quite happy to discuss ways and means of controlling the research journals so as to deny publication of any material that goes against the orthodox dogma. The ways and means included the sacking of recalcitrant editors.

Whatever the reason, it is indeed vastly more difficult to publish results in climate research journals if they run against the tide of politically correct opinion. Which is why most of the sceptic literature on the subject has been forced onto the web, and particularly onto web-logs devoted to the sceptic view of things. Which, in turn, is why the more fanatical of the believers in anthropogenic global warming insist that only peer-reviewed literature should be accepted as an indication of the real state of affairs. They argue that the sceptic web-logs should never be taken seriously by “real” scientists, and certainly should never be quoted. Which is a great pity. Some of the sceptics are extremely productive as far as critical analysis of climate science is concerned. Names like Judith Curry (chair of the School of Earth and Atmospheric Sciences at the Georgia Institute of Technology in Atlanta), Steve McIntyre (a Canadian geologist-statistician) and blogger Willis Eschenbach come to mind. These three in particular provide a balance and maturity in public discussion that puts many players in the global warming movement to shame, and as a consequence their outreach to the scientifically inclined general public is highly effective. Their output, together with that of other sceptics on the web, is fast becoming a practical and stringent substitute for peer review.

Update:  The IPCC does not seem to be on a path to building the credibility of climate science.  In their last report, the IPCC was rightly criticized for using "grey" literature as a source for their findings, against their own rules.  Grey literature encompasses about anything that is not published peer-reviewed literature, including, from the last report, sources that were essentially press releases from advocacy groups like the IPCC.  They even use a travel brochure as a source.

This time, to avoid this criticism, the IPCC is ... changing their rules to allow such grey literature citations.    I am pretty sure that this was NOT passed in order to get more material from Steve McIntyre's blog.  In related news, the IPCC also changed the makeup of its scientific panel, putting geographical and gender diversity over scientific qualifications as a criteria.  The quota for African climate scientists will, for example, be higher than that of North America.  See the whole story here.

Though this was all presented with pious words, my guess is that it was felt by the political leaders of the IPCC in the UN that the last report was not socialist or totalitarian enough and that more of such content was necessary.  We'll see.

Yeah, Let's Turn the Internet Over to These Guys

I am increasingly convinced that the UN is really some kind of performance art rather than a serious attempt at global governance.  Why else would they select Robert Mugabe as ambassador of tourism?  Via Radley Balko

House Flipping Commercials? Already?

Today on the radio I heard a commercial for a company promising to teach me the exciting art of flipping houses.  I could buy and resell houses up to three at a time in less than 30 days.

I guess I thought it would take a bit longer for this nuttiness to come back.  I do know some smart people who are buying undervalued houses, putting a bit of money in them, and putting them on the rental market.  Converting owner-occupied homes at the bottom of the market to rental properties makes sense to me, particularly since the ones I know are doing it with all equity.

However, I presume the folks tuning into the radio don't have that much equity, and anyway they were explicitly using the word "flipping" in the commercial rather than talking about rental income.  I wonder who is lending on this stuff?  I tried to refi my mortgage about 6 months ago on a 40% LTV but as a self-employed person it was a pain in the ass.  Who's financing house flipping?

(yeah, I know, the answer probably is "all of us, via Fannie and Freddi or some other dumb government program).